Last week in Milan was how I always remember it. Amazing. Always amazing. It has many great cultural scenes that my wife and I fold in and out of. They are familiar varieties of the incredible & interesting only in NY kind of a thing. But in another country. Entwined with the visiting of friends is the core of the matter. The living. I love the food, the wine, the coffee & how the times of the day are more breakfast, lunch and dinner than what I am used to them being; morning, noon and night. I especially adore that. I crave that. And while in Milan, no matter how brief, one can find the clock that reads eat with out much effort. I take to this particular time immediately. I run to the (average, regular, everyday) supermarket when I land and pick up things that you just cant get on the near Great British Isle. Inside the market is a treasure chest of things you would need lawyers guns and money or a specialty store to acquire outside of Italy. There is so much pride in the culinary culture. So much. And this is kind of how it went down on the road, in Milan.
Anti Pasta, not sensa. In the Hotel-Motel-Holiday:

This plate was followed by another and another, the oils and aromas filled the room, we opened the window and the crisp air volleyed the intoxicating perfumes of aged meats and pureed mushrooms and herbed vinegars between the walls. It was sensory and palatable pong. The cured meats were; Soppressata, Soppressata Picante, Bresaola.
Soppressata: is usually from Molise/Campania/Basilicata/Calabria. is made of Pork. Salami from lean pork meat and pork fat. The meat is cut by knife rather than ground, then spiced (to desired flavors), stuffed into casings, and pressed under a weight to obtain its characteristic flattened shape (hence the name). Traditionally hung near the hearth to age and acquire a delicate smoky aroma. Sometimes conserved in olive oil or lard; may contain pork blood or ground sweet peppers for a brighter red color.
Bresaola: is usually from Lombardy. is made of Beef or Horse. Salami from prized cuts of beef (or, more rarely, horse) which are salted and spiced, then hung to dry; sometimes smoked.
The cheese Amalattea Testadura. The bruschetta, bruschetta di funghi, which may be a semantic shift even as Italy now defines the bruschetta as a topping less the historical dish itself. Which would have been of garlic, olive oil and tomato. The little dot in the center is a pickled picante cherry tomato stuffed with anchovy. The pepper was silky as could be and semi-rough come time for the fish and the whole thing was like eating a dense salty cloud that was about to pour spicy rain.
For dessert we ventured to MARSELLERIA to see Ninos du Brazil (Giovanni Donadini of Cane di coda & Nico V of …) perform for, Nico Vascellari’s book release, Blonde. Hotness. It was so much fun. A tremendous time. Peep us in the slide show on Vogue.it with old friend and artist Ivan Atzori and International Editor and Wife, Kenya Hunt
Second food memory of Milan was the (much talked about in our house) Torre di Pisa. We absolutely go on and on about this place. They serve the most amazing dish of food I have ever eaten in the entire world. Fegato con Carciofi. I reckon they use a veal liver and dress the inside with a semi-soft cheese, sprinkle confit artichoke hearts and rough cut flat leaf parsley over the pan seared meat. Its a small piece of heaven. If you imagine that the end of the world could in fact be chopped liver. It is absolutely amazing, and more so I had not even thought to whip out my Black Berry and snap photos. Oh yeah, PS my new project is to only use my Black Berry for image capturing. Brass Tacks.
I think I must give a photo credit to my homeboy from Purple Olivier Zhan. Solid.
Next up is Pietro Leeman’s Joia. We experienced this place on the recommendation of a vegetarian friend and I must admit, it was an encounter. Joia was awarded a Michelin star in 1996 and is apparently the only vegetarian restaurant in Europe to have achieved such stature. And maintained it. I was excited. I was intrigued. The whole crew we dined with was excited and intrigued. It is a wonderful exercise when one limits their pallet to expand their creative potential. And seemingly that is what is at work here. Pietro has decidedly removed meet from his cooking as a significant gesture reflecting his philosophy towards today’s continued rich diets vs. sedentary lifestyles. Joia engages the diner in challenging (yet delectable) dialogue between available and seasonal offerings and the natural and nature.
The environment was a bit lacking with poor sophomoric new age looking art to build quite calm and serene place of respite. I didn’t buy it. It had way too many devices. Will-owing linens from the ceiling looked more like looms and partitions, antiquated dressing room dividers all mural’ed up proved a weak aesthetic. I was unimpressed, but we sat in the front of the restaurant and it seems the back was more a proper dinning room, mannered and aethetic. Something our night was lacking and had me baffled by, as we sat in the proverbial kids- my first yoga section, for the Michelin Star is not handed out lightly.
I quite enjoyed my first dish which was a faux egg made of home made cheese, no dairy sitting in the middle of celeriac puree and black truffles. It had a name like wild forrest still view from the sky. I am completely not on the same new age page for dude’s naming convention. It was hard not to chortle while reading away. The second dish was composed of roast veg, grilled artichoke hearts celeriac puree, a form of frothy pesto and broad brush strokes of licorice on the side of the plate for melding. I was less wild about this dish from it’s presentation & it’s too many flavors. I am a big fan of more is more, but when it comes to flavors, they have to be carefully vetted. And I do not think that this dish is succesful. Others that came out and sat on the table bent my mind. In ways of auroma, flavor and presentation. I just was not into this particular plate which was titled meditation in a bog. Or something like that. Sincerely it was educational and proved a lovely dinning time, the company was tremendous, the service spectacular, the wine was superb. On the whole I found it good, but not my favorite, as it was certainly pricey. Yet and though, I understand for the cost, the quality ingredients, the work, the craft, the artistry -counter that – I also understand that we ate only vegetables and unfortunately, they traveled great distances to arrive on our table, we had not been party to a birds nest broth or roast white truffles or ambergris, although we almost drank the coffee made by the Asian Palm Civet but decided against it at 35 Euro a cup. I am siked it is on the menu though. C’est Sincerely. And maybe one day down the road when my stars are all lined up and my ship rocks gently at the dock, I will call again and make a reservation, maybe. Special shout out and thanks to Pietro Leeman for having stuck by his principles and made a career of it. This in itself deserves celebration and praise. Salute. 
